Lettering and calligraphy are quickly becoming desired skills in a designer’s toolbox. Designers such as Marian Bantjes, Jessica Hische, Sean Wes and Martina Flor, just to name a few, have become not only an inspiration to the rest of us, but also a standard. Their work is not only client-based; they have become their own brand by providing products to their followers as well. Other designers have followed suit, and now it would seem that lettering and calligraphy are everywhere.
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Typography is a primary element of composition. Being a designer, I pay a lot of attention to its quality. Operating Photoshop is easy for me; however, to level up my skills, I am always learning to work with letters, using my hands, without any computer programs. The first time I took a calligraphy course was about a year ago, and the decision was quite hard. I was sure that it would be painstaking and that I would need excellent handwriting to learn this art. How mistaken I was!
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When conducting user research, we all know that asking the right questions is just as important as how you ask them, but how do you know exactly what questions to ask? What if the discussion topic is very personal? How do you get a complete stranger to open up? There is a better way to conduct an in-depth interview, and it doesn’t involve a clipboard. Just imagine what you could discover if the participant’s answers weren’t limited to a predetermined set of questions. This is where
collaging
can help.
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Art critic Emilie Trice has called Berlin “the graffiti Mecca of the urban art world.” While few people would argue with her, the Berlin street scene is not as radical as her statement suggests. Street art in Berlin is a big industry.
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In a creative field like design, we face an undeniable truth: our wells of inspiration are bound to run dry from time to time. In those periods of imaginative downtime, we seek out sources that can help us return the creative flow to our working process, and get us “back in the game.” But when we need a quick recharge, where do we turn? Many of us have our favorite “go-to” places when we are victim to creative drought, though perhaps with a little help, our routinely chosen paths could change.
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Film titles can be great fun. In them we see the bond between the art of filmmaking and graphic design — and perhaps visual culture as a whole. They have always served a greater purpose than themselves: to move the overarching story forward. Whether you are a motion graphic designer, a digital artist or a connoisseur of design, we hope you are inspired by these film titles and the ideas they suggest to your own creative endeavors. At the end of this post, you’ll find a listing of relevant typefaces and Web resources.
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Mark Rothko, an American artist who described himself as an
abstract painter
, once said that he was not the kind of person interested in the relationship of form, color or similars. He didn’t define himself as an abstractionist, but rather as a person interested only in expressing basic human emotions such as doom, tragedy, ecstasy and so on. This was one person’s vision of art, but what do we mean by art today? Why is defining the concept so difficult?
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Web professionals have to be both flexible and creative to meet the needs of each client — and these characteristics often transcend the design and development process. Each of us has a unique approach to our work. The particular mindset and methods by which each of us turns a mental image into a delightful and usable website is worthy of investigation. “The Artist”)](
https://www.OB电竞 magazine.com/2010/07/09/web-designer-as-the-artist-scientist-and-philosopher/
) In this article, we’ll discuss three approaches taken by many Web designers and developers. While a creative individual usually falls into more than one of the three categories, each of us is still likely more heavily weighted towards one. These approaches might help determine what paths someone is best suited for and might shed light on how they achieve their goals. So, without further ado, we introduce you to the artist, the scientist and the philosopher.
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The times when paper was considered to be the primary medium for artistic expression is long gone. Many writers and designers use digital media to improvise and develop their ideas. However, there is something particuliar in this “physical” canvas — something that keeps us getting back to paper when we want to brainstorm ideas in a notebook, doodle around in a sketchbook, collect inspiration in a scrapbook or just draw some sketches for the next project.
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Where does the beauty come from? It isn’t necessary to travel around the world in its most quiet places to experience it. Beauty is always near us — you just need to want to explore it. And you can of course create it with your own hands and imagination: just a couple of movements with a
knitting needle
and a ball of thread suddenly turns into something remarkable, something that exists nowhere else in the world. And once you’ve created it, it will remain a unique and inexhaustible source of further inspiration. Also, it will warm your heart and your spirit every time you see it, as the scarves that our moms and grand-moms knitted in good old days.
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